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Vancouver quartet PISS has released its debut album, you made me / skin on linen, through Sub Pop after performing versions of the set for two years. The record combines abrasive noise rock, lyrics and recordings of feminist thinkers to examine sexual violence, trauma and personal autonomy.
Vancouver quartet PISS has released its debut album, you made me / skin on linen, through Sub Pop, bringing a set the band had performed for two years to a wider audience. In a Stereogum “Band To Watch” report, the group describes and discusses a record that uses abrasive noise rock, poetry and recordings of feminist thinkers to address sexual violence, trauma and personal autonomy.
PISS comprises vocalist and lyricist Taylor Zantingh, guitarist Tyler Patterson, bassist Gavin Moya and drummer Garreth Roberts. The album runs for just over 30 minutes, combining Zantingh’s guttural vocals with grating guitars, bass and drums, as well as samples of feminist thinkers and activists. The source report describes the record’s sound as forceful and its subject matter as focused on how sexual violence can change a person’s sense of self and future.
The album opens with recordings of children describing what they want to be when they grow up. On the following track, “i wanted to be a singer,” Zantingh sings about how an imagined future can be altered by another person’s actions. The lyrics then sit alongside recordings of writer and activist Andrea Dworkin, philosopher Manon Garcia discussing the Gisèle Pelicot case, and author Toni Morrison speaking about morality, self-forgiveness and grace, according to Stereogum.
The report says PISS performed the same set for two years before a version of it became the album. In an interview conducted over Zoom before the band set out on a long drive for tour, Zantingh also discussed performing and looking after her voice. She said she had lost her voice at a recent show in Canada and was nervous about touring, while doing vocal exercises and taking care of her health.
A Noise-Rock Record on Bodily Autonomy
The album’s subject is not incidental to its presentation: it pairs lyrics about trauma and changed futures with a deliberately abrasive sound. Stereogum characterizes that combination as a way of confronting violence directed at a body and the social conditions that allow it to continue. That is the publication’s interpretation of the record, rather than a claim that the music provides a single answer to those issues.
For listeners, the release also marks a move from a set developed and performed over time into a recorded debut on Sub Pop. The album’s use of recorded commentary creates a structure in which listeners encounter different perspectives alongside the band’s songs. The source report presents those samples as part of a work concerned with competing ways of understanding and responding to pain and injustice.
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From Two Years of Live Performance
Stereogum’s report places the album within a period of touring and live performances. The band had played the same set for two years, and the debut preserves a version of that material. The report does not give a detailed recording timeline or describe how the live set changed during that period.
Zantingh told Stereogum that she began screaming in a punk band as a teenager and that her approach to vocals is largely intuitive. She connected her writing to her undergraduate study of creative writing, while describing the voice as both a means of expression and a physical instrument with limits. Her comments provide a personal account of performing; they do not establish a broader health assessment or a formal vocal-training background.
“I love being on tour, but it’s a constant state of hyper vigilance”
— Taylor Zantingh, vocalist and lyricist, speaking to Stereogum
Tour Plans and Album Reception
The report does not provide a full tour itinerary, ticket information or dates for upcoming performances. Zantingh said the band was travelling for tour and described a recent weekend of shows in Toronto and Kitchener, Ontario, but the supplied material does not establish the complete schedule or whether any dates later changed.
The source also does not include sales figures, chart positions, label statements about the album’s performance or a wider critical consensus. Its description of the record’s themes and impact is Stereogum’s assessment, alongside the band’s interview comments. Any broader response from audiences or critics remains unclear from the available information.
The Band Takes the Record on Tour
PISS was preparing to tour when Stereogum spoke with the band, with Zantingh describing vocal exercises and health precautions after losing her voice at a recent performance. The next confirmed development in the source is the band’s touring activity; it does not list further dates or name a later album milestone.
For now, the debut gives listeners a recorded version of a set the quartet had played for two years. Whether touring leads to new material or additional releases is not stated in the report.
Key Questions
Who are PISS?
PISS is a Vancouver quartet featuring vocalist and lyricist Taylor Zantingh, guitarist Tyler Patterson, bassist Gavin Moya and drummer Garreth Roberts.
What is the band’s debut album?
The album is titled you made me / skin on linen. The source report says it was released through Sub Pop and runs for just over 30 minutes.
What subjects does the album address?
The record addresses sexual violence, trauma and personal autonomy, using lyrics and recordings of feminist thinkers and activists. That description reflects the content discussed in Stereogum’s report.
Is PISS touring?
The band was preparing to tour when Stereogum interviewed it. Zantingh mentioned recent shows in Toronto and Kitchener, Ontario, but the report does not provide a complete tour schedule.
Source: stereogum.com
